Thursday 31 March 2011

Essay

Question Five: 'Advertising doesn't sell things; all advertising does is change the way people think or feel' (Jeremy Bullmore) Evaluate this statement with reference to selected critical theories


Advertising has become a part of our day to day lives whether we realise it or not. ‘Advertising is a form of communication intended to persuade an audience to purchase or take some action upon products, ideas, or services’ implying that without using persuasive and influential advertisement, it would be a lot more challenging for corporations to sell a product to their consumers.

Bullmore’s quote suggests that the consumer is buying into the lifestyle that the product provides and represents instead of the actual purpose of the product itself. Advertisers shape their products to be irresistible to the consumer’s eye through advertisement, which in turn makes them feel that if they didn’t have the product, then their life would not be as for filled as if they did have the product. This is all down to the persuasive techniques that corporations undertake to make their products desirable and irresistible to a passing eye. They set out to use various quantities of media to get their message across to try and attract every target market that is possible. ‘In cities in which we live, all of us see hundreds of publicity images every day of our lives. No other image confronts us so frequently. In no other form of society in history has there been such a concentration of images, such as density of visual messages’. John Berger implies that we are so used to seeing advertisement images every day of our lives that we don’t always see the total impact of them, ‘we are now so accustomed to being addressed by these images that we scarcely notice their impact’. In relation to Bullmore’s statement its implying that advertisement has become such a big part of our daily lives that when we see it, it plays no more part in our day than the normality of seeing these amount of images of wherever we go.

Jeremy Bullmore suggests that advertising isn’t a way of selling a product instead it’s a way of changing consumer’s behaviour and the way they think about the product. Gillian Dyer says ‘We could examine the influence of ads on the individual and look for evidence of the ability of the advertising media to shape and sometimes change a person’s behaviour, opinions and attitudes’. This back’s up Bullmore’s statement by also suggesting that through the use of advertisement, a consumer’s view on a product can be altered. Dyer explains that ‘it encourages people to think in terms of escape from the real world’ suggesting that the product will take them and their minds off of the trouble they may have in reality for a period of time. If a consumer can see this sort of escape through a product when seeing the advertisement for it then this is all that will be playing on their mind until they have the product for themselves. Even if the product doesn’t live up to what the consumer thought it would it doesn’t entirely matter as the job of selling the product has been achieved successfully which just goes to show that the power of persuasive advertising can be very misleading to consumers. 

It can be argued that advertisement can sell absolutely anything, even to the extent of making litter and garbage from the streets transform in to a commercially viable product that a consumer would want to have when it’s put into the correct packaging. The perfect example of this comes when looking at a New York based artist named Justin Gignac. He began selling garbage after he was challenged about the importance of package design of a product. ‘To prove them wrong he set out to find something that no one in their right mind would ever buy, and package it to sell. Nine years later, over 1,300 NYC garbage cubes have been sold and now reside in 29 countries around the world’. It started as an experiment in package design but now New York garbage can be found on desks, bookshelves and mantle peaces around the world.


In relation to Jeremy Bullmore’s statement this just goes to show that advertising does change the way in which people think about a product. The consumers have somehow come to the conclusion that a box of garbage is actually worth something all because of the way in which it is sold to them, from it being unwanted litter on the streets has somehow now become worth $100 because it has been placed into a transparent box with the words garbage written on it. It seems that these days advertisement has the power to brainwash us for our money.
Now in some cases this can be agreed with when looking at theories of advertising such as the ELM theory.

The Elaboration Likelihood Model was created by Petty and Cacioppo in 1986. The idea behind the model is that there are two distinct ways in which communication can be persuasive. The two routes are based on the consumer's ability and motivation to process the message being advertised to them. The different routes are called the central route and the peripheral route and these are two very different ways of trying to engage to an audience.
The central route appeals to a consumer that is willing to put time and effort into processing the image or message, for example if a consumer knows in their head a rough idea of a product they desire and then they see some advertisement which is selling what they want then automatically a process starts to occur in their head as they indulge in the image and message very carefully before making a decision. In relation to Bullmore’s quote this theory suggests that when a consumer is slightly unclear minded on what product they want, advertisement of a product can make them stop and think which can change their opinion on it immediately, tipping them towards buying the intended good.

The peripheral route is a route where the consumer does not think carefully about a communication and is ‘instead influenced by temporary superficial cues’ these cues can be anything that relate from an emotional story, catchy music or bright colours but the theory suggests that from an instant sighting of the advertisement the consumer gets tied up with it by relating what is shown to themselves. This type of advertisement technique tries its best to get to a consumers emotion which in turn makes them relate and finally leaving them with the idea that the product is the only thing at that time that could make them happy. If they don’t get a sudden hurry to purchase straight away, the consumer is left to go away with the image burnt into their mind which will play on them until they have bought the product.

Every piece of advertisement is intended to persuade an audience whether it is viewers, readers or listeners to purchase or take some action upon products, ideas, or services. Advertisement suggests that our lives are incomplete without the product that they are selling; Berger says ‘it proposes to each of us that we transform ourselves, our lives by buying something more. This more, it proposes, will make us in some way richer-even though we will be poorer by having spent our money’. It can be suggested that Bullmore’s quote puts a negative view on advertisement, suggesting that advertisement isn’t there to give you options about products to whether you purchase them or not, instead advertisement is there to try and force you to buy the product. Even though you’re not literally being forced into it, the pressure is always there around you whether you like it or not, tempting the inevitable fate that you will sooner or later come to a purchase based purely to the advertisement.


References
BERGER, J. 1972. Ways of Seeing. Pg. 123
Dyer, G. 1982. Advertising As Communication
The definition of Advertising:
A reference to Justin Gignacs’s garbage:
A reference to Justin Gignac’s garbage image:
An article on how advertising appeals:
http://www.eurojournals.com/ejss_7_1_11.pdf

Portfolio Task Five - How To Read A Photograph

You would have thought that when you read text you see it as text and when you see a photograph, you read it as a photograph but Clarke, G insists that you actually need to read a photograph as a piece of text instead of just seeing it as the image that it is. That reading involves a series of problematic, ambiguous, and often contradictory meanings and relationships between the reader and the image. The meaning of a photograph is achieved through what is called ‘photographic discourse’ which is made up of its own grammar and syntax as a language. The first step of reading an image is to scan over it so you can take in as much information as you possibly can so that you can get some sort of idea of what it is about. You then have to engage yourself with the image which means having to dive deeper in to it before giving some critical analysis of the image. By doing this it is as if you’re putting yourself in the photographer’s shoes to get a better understanding of what they were trying to achieve, “To read a photograph, then, is to enter into a series of relationships which are hidden.”


I have decided to look at this photograph, it has been taken by the photographer David La Chapelle who is a photographer and director who works in the fields of fashion, advertising and fine art photography, and is noted for his surreal, unique, sexualized, and often humorous style. The image is of the artist ‘Lil Kim’, at first glance what you mainly notice is the eye catching Louis Vuitton pattern that has been plastered on to her body making her in to a living luxury item. The colours used has made her blend in with the scenery which makes you automatically look deeper into the photograph to get a better understanding of what is going on. It’s as if Chapelle is trying to out do Louis Vuitton’s imagery by going a step further in what Vuitton could do with their image, he’s making ‘Lil Kim’ just as desirable to an on lookers eye as an actual Louis Vuitton product is. 

Portfolio Task Four - Postmodernism

Untitled (I shop therefore I am)



"Untitled (I shop therefore I am)", (1987) Barbara Kruger
http://www.maryboonegallery.com/artist_info/pages/kruger/detail1.html

This images message shows postmodernism, the design incorporates a range of different mediums which postmodernist work does.

Roy Lichtenstein. Drowning Girl. 1963

Lichtenstein, R, (1963), 'Drowning Girl'

Marilyn Monroe Andy Warhol painting

Andy Warhol, ‘Turquoise Marilyn’ (1962)
http://www.artquotes.net/masters/warhol_andy/turquoise-marilyn-1962.htm

This is a very well known image of Marilyn Monroe which was created by Andy Warhol, being famous for his pop art and good use of color he brings Marilyn to the foreground expressing her beauty with the complimented colors.

Sex_pistols_-_god_save_the_queen

Reid, J (1977) Cover art for “God save the Queen”
http://wklondon.typepad.com/welcome_to_optimism/2010/01/we-oppose-all-rock-and-roll.html

This iconic image displays postmodernism styles by using a range of materials and techniques.

 Richard Hamilton, "Just What Is It That Makes Today’s Homes so Different, so Appealling", collage, 1956.

Hamilton, R (1956) 'Just What Is It that Makes Today's Homes So Different, So Appealing?
http://joelvacheron.net/publications/a-visual-journey/

This is a very busy image, with a slight collage effect to it whilst it uses a wide range of materials which gives it a postmodernist look to it.

Portfolio Task Three - Avant Garde

‘Avant-garde represents a pushing of the boundaries of what is accepted as the norm or the status quo, primarily in the cultural realm. The notion of the existence of the avant-garde is considered by some to be a hallmark of modernism, as distinct from postmodernism’.

Avant Garde gives across the meaning of 'before its time' and is not seen to be used in the majority of art, including graphic design. Here are some influential graphic design peaces that stuck out in my mind. 


The poster is set out to raise the awareness of the risks that come with consuming too much alcohol. 'Absolut Impotence' is being used towards the brand of 'Absolut Vodka' suggesting that too much of this drink can cause fertility. By using their techniques in graphic design the image sends across a stern message through the advertisement of the bottle.



This piece of graphic design work came from Russia in 1925, the image sticks to a simple colour theme which works effectively to catch a passing eye and the use of mediums complements this. The two images used can show a sense of the war raising issues such as political views, overall it presents its self with the Avant Garde look.

Portfolio Task Two - Modernist Graphic Design


László Moholy-Nagy - Composition #19 1921

image

Walter Allner – 30gms


Stepanova, V (1932) 'The Results of the First Five-Year, Plan' 



El Lissitzky. USSR Russische Ausstellung. 1929

El Lissitzky (1929) 'Russische Austellung'

Structure joyeuse, 1926

Wassily Kandinsky (1926) “Structure Joyeuse”

Portfolio Task One - Image Analysis Exercise

Image Analysis Exercise

500 word critical comparative analysis
Compare and contrast the two images in relation to the following:-
Image 1: “The Uncle Sam Range” (1876) by Schumacher & Ettlinger, New York


Image 2: “Daddy, what did YOU do in the war?” by Savile Lumley (1959)
  • The choice and organization of font and style of illustration
  • The purpose and meaning of the image
  • The target/potential audience of the image
  • The social and historical contexts relevant to the production of the image

Contextual Studies Image Analysis

When first looking at the two different images of ‘The Uncle Sam Range’ (1876) by Shumacher and Ettlinger, New York and the ‘Daddy what did YOU do in the Great War?’ poster by Saville Lumley (1915) you realise that they are both using persuasive techniques to make you do something and that they present the idea of you ‘buying’ into your country. The first image implies that if you buy Uncle Sam’s new cooker then you will be buying into the American dream which in turn would boost your social status amongst others. The second image is suggesting that if you signed up to the army and fought in the war then one day you too could look back and have memorable stories of how you helped to win the war which would forefeel you with pride.
Both images use type face to convey their message. The Font used in the Uncle Sam Range is quite authoritive and looks very western which was used to symbolise and highlight all of the things that show America’s presence and power in the world. Lumley’s propaganda poster uses a much softer font to highlight that it’s coming from the innocence of the little girl. The fact that the ‘YOU’ is underlined and in capital letters shows that even though the question is coming from the child being put towards her father, it’s really being aimed at the reader so in essence they put themselves in the father’s shoes. The reader at the time would be getting the feeling that their county really needs them as an indivual and that they can make a difference in the war, the question being asked to them makes them feel guilty if they haven’t signed up to the war.
The imagery set in The Uncle Sam poster uses a large amount of American symbolism and is very patriotic. The clock shows the year of 1776 which was the year when America was born and now just one hundred years on in the image it shows off what they have achieved within these years. The room is filled with all colours and objects that relate to America and their history such as the overwhelming red, white and blue that form from the American flag, the bald eagle that represents America’s freedom and Uncle Sam at the centre of it all. The list that the globe is holding is there to show that the food is so amazing when it’s produced from the oven that it’s good enough to feed the entire world. These items are to represent America’s power and to make onlookers idolise this which will make them want to buy the oven range. Lumley’s image sets more of a peaceful scene by using conservative colours and using patriotic symbols such as the red roses on the curtains, the toy soldiers that the child is playing with and the subtle use of colours in the room. The image is set in the future as if it’s after the war had been won and the father has come back alive and well which would give the viewers more of an incentive to join the army.
It seems that the target audience for both of these images is men. The Uncle Sam image is set out to target middle class families that aspire to have a better life style, so by buying the oven range then the family can be better provided for. Lumley’s image is targeting men to join up to fight the great war, it can be argued that it’s aimed for younger men as the image suggests that the war has finished and been won by which time the man would be older as the image suggests.
In conclusion, both images are meant to urge you to do something whether it’s buying into a household product or to join up to serve your country. Even though the two are raising completely different subjects, they both use similar persuasive techniques to get you to do something. 

Lecture Six - Postmodernism